I’ve been feeling like I’m in a K-pop kick lately. The 4th generation of pop groups are firing on all cylinders while established groups are having unprecedented longevity leading to what seems like an incredibly crowded and competitive golden age of k-pop. but when you hit the wikipedia page of a cutting edge K-pop single the producer/composer/lyricist bylines are each 5 names long with names you’ve never heard of. 250, FRNK, Earattack, Willie Weeks, Shift K3Y, BEP, PEEJAY, Jake K, MNEK, Ylva Dimberg, The Stereotypes, Didrik Thott… makes me curious what the modern production process is like in the industry.