This is Nakata’s best year since 2013. Just non-stop fascinating tracks for months now, each completely different from the last. He’s back to the territory where it just doesn’t make sense how one dude is doing all this given how diverse and complex it all is. How can you juggle between project files when one has 原点回避’s bassline, one has Future Wave’s bridge, and one is this https://www.youtube.com/watch?v=zPF-nf-AN38
I know it’s a bit excessive how much I post about being a fan of this music, but I mean come on how can you not be curious what this guy is gonna cook up next?